CPW: Bowed, Looped CGB bass demo

A poorly lit demo of one section of the C.P. Willsea live act. Cigar box 2 string bass, boss looper, and cello bow.

1019(mp3-03) C.P. Willsea - First Shed Drone

This is a recording of the first "musical" sounds made in the newly remodeled 1019 Lodge. It was created with a minimal version of the [cigar box -> tape loop -> reverb] rig that I used to record "4/4". A bunch of stuttering out of tune pentatonic riffs loop and coalesce into a dense echoing stream of sound.

DOWNLOAD C.P. Willsea - First Shed Drone 12.23mbVBRmp3 via Mediafire
C.P. Willsea on Myspace
1019rec(01) C.P. Willsea - 4/4



This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.

1019rec(02) anomie - d.,.b

The second 1019 records release is a re-release of the first anomie release.

anomie-d.,.b: 62 minutes of creepy electro-acoustic noise beats. I created this album by using the fruity loops beat slicer on these tapes that I had been layering guitar noise on with a four track for about a year.
20 copies, hand painted and numbered with photocopied liner notes. 2$ US shipped.
1019records@gmail.com to purchase
also available in mp3 form for free @ archive.org

Why I Lock the Cats Out when I practice

Try it yourself:

FX Pedal(s)->Input-------------->(output->FX->input->[output->FX->input->{output->FX->input->])>------->->->->Speakers

A Machine.

Composition for ruined consumer audio device #1. by c.p. willsea

pt.1. Connect record player (here after known as the kit, or drums) to echo unit and tape deck, plug into mixer input 1.

pt.2. Apply contact microphone to toy hammer, run through FX pedals, looper, and into mixer input 2.

pt.3. Connect microphone to sampler, and leave idle on the record player, sampler output goes to mixer input 3.

pt.4. Panning/Space: 1 goes straight center, 2 to the left, 3 to the right.

pt.5. Apply drum sticks and hammer from pt. #2 to the drum kit created during pt. #1. Surface noise, pops, clicks, needle jumps and drags, and clips will be looped and echoed through the mixer input #1, while the percussive elements appear modulated through inputs #2 and #3.

pt.6. Repeat pt. #5 to satisfaction

pt.7. Express this satisfaction through the microphone from pt. #3 while hitting thy self with the hammer from pt. #2 and kicking the drum kit from pt. #1

pt.8. Before beginning pt. #4 you probably should have remembered to leave your Squier electric bass guitar feeding back through an octave pedal.